September Issue – a very fun vicarious peak into another world.
Tuesday, February 16th, 2010(StayatHomeMom.com was recently invited to sit in on a call with the Director of the movie The September Issue – available on DVD Feb 23rd – a documentary described as an intimate, funny and surprising look at Vogue’s legendary editor-in-chief Anna Wintour and her team of larger-than-life editors, this is the captivating story of how they create the must-have Bible of fashion: The September Issue. Director RJ Cutler explores the untouchable glamour of Wintour’s Vogue to reveal the extraordinarily passionate people at its heart.)
Terri Carlile
Feb 16, 2010
I can’t tell you what a thrill it was to participate in the conference call with R.J. Cutler this morning! The movie, The September Issue, was great. I couldn’t go to bed before I finished watching all the extra material included on the DVD set.
R.J. Cutler was very pleasant and friendly. You could hear his enthusiasm for the project and his excitement to address the questions posed to him. He is truly passionate about film making and translating that passion to the public with his story telling.
Stayathomemom.com was the last to ask a question to R.J. during the conference call. I was able to ask question #1, “It looks like you had a full access pass to Anna Wintour and the entire Vogue September Issue process. Did you ever get a feeling that they were holding back or hamming it up for the camera? Or did you have a sense that you were basically a fly on the wall?”
R.J. Cutler responded that is it a process that takes place and that the goal is not to disappear but to get them to be as comfortable with themselves as possible with the crew present. He said that filming took place over a 7 ½ month period. At the start of the process, they enter people’s lives and get to know them. “The first month is all about getting to know each other.” R.J. said. “Half way through the process everybody is truly themselves.” It takes this long for everyone to become completely comfortable. “Most people see Anna Wintour and Grace Coddington as a caricature, not really themselves.” R.J. continued. He strives to bring out their complexity and humanity and translate this so that we the audience can see them as they are everyday. He felt he was able to accomplish this and received confirmation when life long friends and associates declared “My God, you really got them!”
There were many fascinating questions brought to the table. ‘What guided your decision to include the extras?’ His response was “Let me be clear, this is the Director’s Cut of the film.” He had final cut of the film. For the extra material provided he felt people would like to see more of Anna making decisions, Grace and her creativity, Andre behind the scenes with the designers – them being themselves. The biggest change in the documentary genre over the last 20yrs he finds to be technology. “Everyone has a digital camera” and can access editing software on their computer. Accessibilty is much easier, you don’t have “a huge out lay of money for equipment and processing of film.” He paraphrased Francis Ford Coppola as saying “He looks forward to the day a masterpiece is made by a 12yr old girl from Detroit with her dad’s video camera.”
When asked about his progression of documentary film making from political to THE SEPTEMBER ISSUE, he stated that his work is consistent. He is telling a story about people with passion in a high stakes industry whether it is political or fashion driven. Communication in the fashion industry he felt was a myth – it definitely was not verbal like a political debate. Once he detected that communication is subtle in the fashion world, that it’s a glance or a gesture, he changed his filming style to be ‘tight’ to capture and decipher this non-verbal, visual communication taking place.
A powerful message that translates from the film? He states, “On the surface Anna and Grace appear to be polar opposites.” We see in the film that “in fact they have a symbiotic relationship that pushes the other” to be better and greater. It is a very touching moment in the film “when Anna acknowledges Grace’s genius.”
R.J. Cutler tells a fascinating story in THE SEPTEMBER ISSUE. You don’t have to love fashion to be pulled into the lives of Anna and Grace and appreciate this iconic relationship. What a great experience!!

